Friday, December 13, 2024

Black Lightning #2 Review




  • Written by: Brandon Thomas

  • Art by: Fico Ossio

  • Colors by: Ulises Arreola

  • Letters by: Lucas Gattoni

  • Cover art by: Fico Ossio, Ulises Arreola

  • Cover price: $3.99

  • Release date: December 11, 2024


Black Lightning #2, by DC Comics on 12/11/24, follows Anissa as she struggles with her uncontrolled power and complicated feelings toward her father as the Absolute Power fallout spirals.



Is Black Lightning #2 Good?


First Impressions


Clunky, disjointed, annoying, and unsatisfying. These are just a few words that come to mind after reading writer Brandon Thomas's entry in Jefferson Pierce's life story. It's a shame because Black Lightning #2 has all the pieces for a thoughtful examination of the consequences of Amanda Waller's failed attempt to take over the world, but the issue is mired in poor character work, ugly scene transitions, and a cloudy plot.

Recap


When last we left Jefferson Pierce in Black Lightning #1, the electricity-based superhero struggled to settle into his new role as seeker and counselor of citizens imbued with power from the fallout of Absolute Power. Black Lightning and his daughter tracked an anomaly spiraling out of control on a city subway, but our hero was shocked to learn the anomaly was his second daughter, Anissa.

Plot Synopsis


In Black Lightning #2, we catch up sometime after the big reveal that Anissa is one of the recipients of new power after the Task Force VII Amazos were defeated. Anissa vents her frustrations about her father to a robotic counselor aboard the new Watchtower. Meanwhile, Black Lightning and Lightning tackle one meta outbreak after another in and around Metropolis.

Anissa eventually storms out of the counseling session when questions about her negative feelings toward her father grow increasingly uncomfortable. Black Lightning and Lightning meet her in the Watchtower when Anissa demands to be taken home, but Jefferson is called to a Watchtower-wide emergency, so he asks Lightning to take Anissa home. Instead of going straight home, Lightning takes her sister to see their mother at Steelworks.

Elsewhere, Isaac, the student who received powers in issue #1, is at home watching the news. The angry, anti-meta rhetoric from Councilman Harriman scares Isaac, but his mother steps in to turn off the television and encourage him to relax while she goes to work. Isaac uses his alone time to visit Steelworks, hoping to connect with Lightning.

The issue ends with Volcana and two unnamed allies attacking Steelworks for some reason, prompting Lightning and Natasha to suit up for battle.

What’s great about Black Lightning #2?


If you read the 1st Impressions section above, you already know the value of this issue is the potential of the pieces. Brandon Thomas has the opportunity to lead one of the few titles that show how the fallout of Absolute Power is affecting everyday people across the globe. On that point, Thomas succeeds in showing a world fighting a huge mess that strains the Justice League and, by extension, the people in their lives.

Yes, a big event should show consequences. If DC isn't going to reboot the universe, impactful consequences are the next best thing.


What’s not great about Black Lightning #2?


Oof! Brandon Thomas has all the pieces, but he puts them together like a post-modernist interpretation of a knotted ball of yarn. Scenes begin out of nowhere, or you're dropped into the middle of scenes without context, and the issue begins days after the last issue's cliffhanger for no real reason. There's no cohesion, no flow, and no real point to this issue other than to highlight Anissa has a really bad attitude toward her father. 

On that last point, Thomas goes over the top by presenting Anissa as an unreasonable, emotionally immature brat, which is a stark contrast to any recent appearance of Anissa. If Thomas's goal was to make Anissa look as obnoxiously self-involved and unfair as possible, he succeeded. Considering the egregious character assassination of Andy Curry by Thomas in his Future State run, I'm starting to suspect Thomas has a problem presenting certain types of characters. We'll leave it at that.

How’s the Art?


Fico Ossio's artwork is pretty darn good and probably deserves more praise for making Thomas's awkward script look presentable. The few wow moments available hit hard, and the overall look of the issue is energetic.



About The Reviewer: Gabriel Hernandez is the Publisher & EIC of ComicalOpinions.com, a comics review site dedicated to indie, small, and mid-sized publishers.

Follow @ComicalOpinions on YouTube, Facebook, Instagram, and Twitter



Final Thoughts


Black Lightning #2 has all the makings of a great story as one of the few DC titles showing the consequences of Absolute Power. Unfortunately, Brandon Thomas's directionless plot and disjointed execution waste the opportunity.

5/10



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Thursday, December 12, 2024

Green Lantern #18 Review




  • Written by: Jeremy Adams

  • Art by: Xermánico

  • Colors by: Romulo Fajardo Jr.

  • Letters by: Dave Sharpe

  • Cover art by: Xermánico (cover A)

  • Cover price: $4.99

  • Release date: December 11, 2024


Green Lantern #18, by DC Comics on 12/11/24, ends the Civil Corps War and brings about a new status quo for the galaxy, but the enemies are already forming.



Is Green Lantern #18 Good?


First Impressions


Good on writer Jeremy Adams for taking big swings that pay off in the finale of the Civil Corps War. Green Lantern #18 brings the spectrum-shaking conflict to a close with an all-out fight against Dark Star and Varron in orbit above Oa for the fate of the planet, the galaxy, and the emotional spectrum. If nothing else, change is the key to this arc's success, even if the ending feels slightly rushed (Thanks a lot, Absolute Power).

Recap


When last we left Hal Jordan and the new Green Lantern Corps in Green Lantern #17, the Civil Corps War reached a penultimate pitch when all forces converged on Oa. The Unseeing, Varron, and the Green Lanterns (now equipped with Earth Lantern rings) began a three-way battle for the Source Ring. Red Lantern Mogo arrived and began destroying the orbiting Durlan ships. But before Mogo could smash Oa, Red Lantern Sinestro arrived and smashed into Mogo, absorbing its Red Lantern power. The issue ended with Varron entering the Source Lantern and Kyle Rayner transforming into the White Lantern to go after him.

Plot Synopsis


In Green Lantern #18, the issue begins with Dark Star ordering his possessed United Planets Lanterns to attack the planet. Hal Jordan and his handful of Lanterns do what they can, but the numbers are too overwhelming. Hal orders his allies to go after Dark Star directly to break the spell, but it isn't enough.

Meanwhile, Kyle Raynor attacks Varron inside the Source Lantern to stop the incorporeal nephew of Dark Star from absorbing the Lantern's energy. At first, Kyle gets his licks in, but the Lantern explodes once Varron has absorbed enough power, and he tosses Kyle aside like a rag doll.

Elsewhere, Kilowog continues strangling Jessica Cruz with his Yellow Lantern constructs. Jessica hopes she can project an aura of Will strong enough to break through Kilowog's possession and revert him back to a Green Lantern. Her ploy succeeds.

Free of the Source Lantern and brimming with power, Varron flies to orbit and attacks his uncle for the right to rule the galaxy. The Green Lanterns use the attack to their advantage, but the uncle and nephew agree to team up when the Green Lanterns become a nuisance. Hal notices Dark Star drawing power from the Old Gods by opening an interdimensional portal that could bring the ancient beings through, so he hatches a plan to shove Dark Star and Varron through the portal and seal it for good.

The issue concludes with the return of the Guardians but not unchanged, the Source Lanterns destruction creating spectral chaos throughout the galaxy for a job only a Green Lantern Corps can handle, Carol Ferris confronting a Predator for the last time, and the Sorrow Lantern called by a familiar-looking mentor - Starbreaker.

What’s great about Green Lantern #18?


Jeremy Adams gives readers what almost every DC title (and Marvel title, for that matter) is sorely missing - a climactic conclusion and a new status quo. You get big action, big stakes, twists, turns, and a heroic finish with a tease of what's to come. It's not a perfect ending, but it's better than most.

What’s not great about Green Lantern #18?


Depending on your tolerance for chaos and frenzy, yes, the ending feels a tad rushed. Although Adams made the most of the Absolute Power hiatus better than any other DC writer by moving the plot forward while tying into the event, you can see where those extra two or three issues would have helped to give more meat to Carol's confrontation with Predator or most space for a complete fight between Kyle and Varron. Both developments, while significant in their respective outcomes, were glossed over.

How’s the Art?


Xermánico keeps up with the breakneck speed by giving readers as many action-packed panels with eye-popping treats as possible. Every panel exudes drama, energy, and movement to hold your attention. Plus, Romulo Fajardo Jr. jumps into overdrive on the coloring to incorporate waves of multi-colored spectrum energy in almost every panel. Kudos to the art team.



About The Reviewer: Gabriel Hernandez is the Publisher & EIC of ComicalOpinions.com, a comics review site dedicated to indie, small, and mid-sized publishers.

Follow @ComicalOpinions on YouTube, Facebook, Instagram, and Twitter



Final Thoughts


Green Lantern #18 is a big, loud, relatively satisfying conclusion to the Civil Crops War that establishes a new Green Lantern Corps, new Guardians, and a new mission to protect the galaxy. Jeremy Adams made the most of the Absolute Power interruption to keep the story flowing, even if the interruption resulted in a few corners getting cut, and the art team pulled out all the stops for a climactic battle.

8.8/10



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