Wednesday, October 23, 2024

Nightwing #119 Comic Review




  • Written by: Dan Watters

  • Art by: Dexter Soy

  • Colors by: Veronica Gandini

  • Letters by: Wes Abbott

  • Cover art by: Dexter Soy

  • Cover price: $4.99

  • Release date: October 23, 2024


Nightwing #119, by DC Comics on 10/23/24, finds Dick Grayson coming to grips with rising crime in Bludhaven when the mayor accepts an offer from an arms company to upgrade.


Is Nightwing #119 Good?


Overall, Nightwing #119 is pretty decent and a far sight better than Tom Taylor's dramatically flaccid run. I had doubts about Dan Watters coming onto the title after botching the Destro miniseries at Skybound and spending too much of his DC work mimicking Ram V's style, but this issue turned out to be a pleasant surprise.

In Nightwing #119, we begin with a masked individual dressed like the puppet version of a harlequin. The character in question, who we later learn is a member of the Cirque Du Sin, knows Nightwing's secret identity and has a keen interest in reshaping Nightwing's life.

Meanwhile, the heads of Bludhaven's leading crime gangs meet to discuss a truce and mutually beneficial arrangement, divvying up Bludhaven's rackets. Nightwing crashes the meeting to take all the leaders to jail, but before his task is complete, someone sets off a bomb that kills all the gang leaders. Nightwing escapes the explosion.

Right off, Dan Watters starts his Nightwing run with a bang, which is a blessed relief after Tom Taylor's kinder, gentler, borderline pacifist Nightwing, who accomplished next to nothing. In a scant few pages, we understand the current status of Bludhaven, Nightwing's place in the city, and the deadly force of a new player.

Later, Dick visits his sister, Mayor Melinda Grayson (formerly Zucco), to discuss the bombing. Unfortunately, Dick interrupts a meeting between the mayor and Olivia Pearce, head of Spheric Solutions and weapons manufacturer. After Pearce leaves, the mayor explains she's accepted an offer to upgrade her police force with Spheric gear to combat the rising crime wave. 

Here, Watters puts Dick in the middle of a gray area concerning his personal ethics, which presents an interesting and unsolvable problem. Nightwing can't be everywhere to stop every crime, and crime is on the rise, so he can be unhappy about doing business with Spheric, but he can't expect the police to remain defenseless. I'm curious to see what Watters does with this dilemma.

That night, Nightwing spreads the word that the leaderless gangs do not have free licenses to spread chaos throughout the city. Instead, he offers to settle disputes if the gangs choose to keep to their respective territories. 

Dick isn't happy about the city doing business with a weapons company, so he decides to visit the Spheric Solutions facility. The storage area contains weapons better suited for guerilla warfare instead of typical street crime. Suddenly, he's attacked by a security drone.

The issue ends with Nightwing's fight, observed by Olivia Pearce and the leader of Cirque Du Sin.

What's great about Nightwing #119?


Dan Watters hits the ground running with action, a clear purpose to find the new player in town, and willingness to punch people in the face. As a plus, the mysterious nature and motivations of Cirque Du Sin are intriguing since the members have a possible connection to Dick's past.

What's not great about Nightwing #119?


Story-wise, there are two oddities that are minor but noticeable.

First, Dick is almost reckless in his disregard for maintaining the balance with his secret identity. He barges into the mayor's office unannounced and talks to Oracle on his earpiece while he strolls down the street in civilian clothes and more. A little more effort in maintaining his secret is warranted.

Second, everyone is fully aware that Bludhaven is the new home of the Titans, but Nightwing proceeds as if he has to protect the city by himself, which is a nasty side effect of Taylor's run. Is crime really on the rise when a whole team of superheroes lives on the former site of Bludhaven prison? It doesn't make a whole lot of sense.

Yes, sure, you can't have the Titans become a permanent fixture in the Nightwing comic, but maybe Tom Taylor and DC Editorial should have anticipated that problem.

How's the Art?


Nightwing #119 welcomes Dexter Soy to the comic, so of course, it's going to look amazing. Soy has a grounded, moody richness that far exceeds the prior art team's output. If there's one area that could use a tweak, Veronica Candini's coloring application is a tad smudged and rough. The palette selection is excellent but not cleanly applied.



About The Reviewer: Gabriel Hernandez is the Publisher & EIC of ComicalOpinions.com, a comics review site dedicated to indie, small, and mid-sized publishers.

Follow @ComicalOpinions on YouTube, Facebook, Instagram, and Twitter



Final Thoughts


Nightwing #119 is another strong start in a week of strong starts for DC Comics. Dan Watters takes the criticism of Taylor's run to heart by starting the arc with action, intrigue, and impactful drama. Further, the new art team brings heaps of mood and energy to the story. This week's All In offerings are turning out to be (mostly) All Good.

8/10



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Green Arrow #17 Comic Review




  • Written by: Joshua Williamson, Chris Condon

  • Art by: Amancay Nahuelpan,Montos

  • Colors by: Romulo Fajardo Jr.,Adriano Lucas

  • Letters by: Troy Peteri, Hassan Otsmane-Elhaou

  • Cover art by: Taurin Clarke

  • Cover price: $3.99

  • Release date: October 23, 2024


Green Arrow #17, by DC Comics on 10/23/24, gives readers two stories for the price of one. Ollie ties up loose ends resulting from his place in the Absolute Power event, and he soon finds himself on the trail of a revenge killer who murders corrupt executives.


Is Green Arrow #17 Good?



Given the transitional nature of Green Arrow #17, this issue ain't half bad. The two-part anthology gives Joshua Williamson a space to say goodbye to his run with a cleanup story while Chris Condon steps into the title to tease what he has planned for the Emerald Archer. While not perfect, Green Arrow fans will have a lot to like in this issue.

Trial By Justice


Oliver Queen cycles through a series of vignettes in the aftermath of Absolute Power to tie up loose ends, face the consequences of his actions, and figure out what he needs to do next.

First, Ollie hunts down the Peacemakers to ensure they don't skirt justice for their participation in Amanda Waller's schemes. After Ollie drops the pair off in jail, he visits Waller to remind her that she won't get away with any notions of payback.

Second, heads to the new Watchtower to face the music for betraying everyone while he goes deep undercover. After a rousing "I did what needed to be done" speech, the JL welcomes Ollie back without complaint. The JL may not completely trust Ollie, but they understand.

Last, Ollie pays a quick visit to Inter-Meds (likely a subsidiary of Bruno Manheim's InterGang) to put an end to their scheme to gouge medical patients who need life-saving medicines.

In all, Joshua Williamson's cleanup story ties up the loose ends and clarifies Ollie's status quo after Absolute Power. Ollie's return to the Justice League feels a little too easy, but the story gets the job done.

But of course, Williamson couldn't leave the title without making one more continuity blip. When Ollie pays Waller a visit in prison, she has full memory of Green Arrow's identity and his family. At the end of Absolute Power, Dreamer blocks Waller's memories to prevent her from knowing any superhero's true identity. C'est la vie.

A Change Of Scenery


Ollie settles into a partner for some time and space away from his family to get his head together after Absolute Power. When he enters his new digs, Ollie finds a box containing a new costume made by Dinah. The deliverer of the box? Batman. Ollie and Batman exchange cordial but tense words over Ollie's temporary betrayal, ending with Batman's promise to keep an eye on Ollie until he earns his trust back.

Meanwhile, a wealthy executive returns to his apartment to find a small box waiting. The box contains incriminating evidence about a dumping site he authorized. Suddenly, he's knocked out from a blow to the head. When the executive wakes up, he's force-fed contaminated water from the dumping site by a masked individual.

The short ends with Ollie mocking Batman's speech while trying out his new suit and a dead executive.

Chris Conrad's entry into the Big 2 shows promise with a grounded, back-to-basics thriller. The nature of the crime is very Batman-esque and basic in nature, so the big question is whether or not Condon gets Ollie's voice correct. Thankfully, he does. I'm looking forward to seeing what Condon does with Ollie.


About The Reviewer: Gabriel Hernandez is the Publisher & EIC of ComicalOpinions.com, a comics review site dedicated to indie, small, and mid-sized publishers.

Follow @ComicalOpinions on YouTube, Facebook, Instagram, and Twitter


Final Thoughts


Green Arrow #17 gives readers two stories for the price of one when Joshua Williamson cleans up his loose ends before departing the tile, and Chris Condon teases what's to come as the new writer. Both stories capture the heart of what makes Ollie unique, and Condon's prelude story appears very promising.

8/10



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Detective Comics #1090 Comic Review




  • Written by: Tom Taylor

  • Art by: Mikel Janín

  • Colors by: Mikel Janín

  • Letters by: Wes Abbott

  • Cover art by: Mikel Janín (cover A)

  • Cover price: $4.99

  • Release date: October 23, 2024


Detective Comics #1090, by DC Comics on 10/23/24, puts Batman on the trail of a serial killer who hunts criminals, introduces Bruce to the possibility of extended life, and unveils an unknown aspect of Batman's origin.


Is Detective Comics #1090 Good?


Writer Tom Taylor takes over Detective Comics from Ram V to chart a new course for the series by connecting a killer's path of death in the present with the actions of Thomas Wayne in the past. On first read, Taylor's take on the series is galaxies better than Ram V's metaphysical flop, which is a pretty low bar to clear, so we're off to a good start, even if Taylor brings the baggage of failed runs on Jon Kent, Nightwing, and Titans with him. Maybe the 4th time is the charm.

Detective Comics #1090 flip flops between the past and the present, recounting Batman's encounter with a clawed serial killer while his father holds fast to his convictions by treating a car accident victim who some feel would have been better off dead.

In the opening scene, we see Batman in a small room with a dying man tied to a chair. The person responsible for the dying man's predicament is a clawed individual whose face we never see. The killer claims to be doing what she does to show Batman that some people deserve to die.

Tom Taylor's opening scene is moody, intense, and intriguing. The most challenging conflicts for Batman involve challenging his no-kill rule, so starting a new run with that premise in mind is a solid start.

Years earlier, Dr. Thomas Wayne wakes from a call by a fellow doctor to assist with two car crash victims. The driver is likely to die. The driver's girlfriend, Evelyn Scott, is in less serious condition. The accident forced early labor for Evelyn's unborn child, and some of her injuries pre-date the accident, meaning the boyfriend is abusive. Thomas's fellow doctors subtly suggest letting the boyfriend die, but Thomas won't hear of it.

The car accident accomplishes two things well. First, it informs new readers about the quality of Thomas Wayne's character. Second, the victims in the accident are critical to Bruce Wayne's future in more ways than one.

Both victims survive, and Evelyn's baby is delivered without incident. Evelyn asks to speak to Thomas, and she privately asks him to take the baby away for adoption because her boyfriend is a vicious criminal. As a compromise, Thomas brings in Martha Wayne to use her wealth and connections to send mother and child away under protective custody.

Now, Batman responds to an armed robbery alert during his rounds of Gotham City. The robber, a teenager with a checkered past, accidentally shot a shopkeeper. When Batman crashes through the store window and punches the robber, the robber runs. Batman delays the pursuit to ensure the shopkeeper gets medical attention. 

When Batman gives chase, his battered, aging body isn't able to keep up. However, Oracle guides him to the boy's location, where he lies dead. Batman catches a whiff of perfume, White Musk, that links the boy's death with several killings in recent months. 

To Tom Taylor's credit, the pieces of the puzzle fall into place quickly and easily. Arguably, too easily. We know a mother and child absconded years ago, thanks to the Waynes, and we know a presumably female serial killer is targeting low-level criminals. The line between connected dots is indeed short.

Later, Bruce Wayne attends a gala hosted by the grown daughter of Evelyn Scott, Scarlett Martha Scott. Scarlett specifically invited Bruce to show that her genetic research has created a medically stable method for healing and extending the life of the human body, so she offered Bruce to be part of the recipient group, an offer he considers.

In the past, the boyfriend wakes from his surgery and becomes violent when he learns his girlfriend and unborn child are gone. The boyfriend's name is Joe Chill.


What's great about Detective Comics #1090?


After a painfully tedious Detective run with Ram V, Tom Taylor's first issue is a tall drink of cool water in the desert. It's not the greatest Detective comic ever, but Detective Comics #1090 is a big improvement. There's a mildly intriguing mystery at the heart of Bruce's latest mission, and the seeds of philosophical questions (Is Bruce getting too old and too slow?) make for great storytelling as long as Taylor can execute them properly.


What's not great about Detective Comics #1090?


The issue is weak on one front and concerning on a second.

First, the "childhood friend who turns out to be a killer" setup has been done to death with Batman. You could tell this story without linking Batman and Scarlett and still accomplish the same thing. By linking the two, their relationship comes off as cliché.

Second, the revelation about Joe Chill could work out well, or it could be a disaster. If Chill somehow drove Scarlett to become the killer, there are a myriad of ways that story could turn out well. On the other hand, if Taylor retcons the death of the Waynes as an act of revenge from an abusive boyfriend, the reveal waters down Batman's origin because his parents' death becomes less senseless and shocking. 

If Taylor goes the revenge route with Chill, his premise would irrevocably harm Batman's origin (see the baggage of missteps from Jon Kent and Nightwing as references).

How's the Art? 


Mikel Janín steps in to handle the art with pencils, inks, and colors, and the book looks fantastic. Janín delivers dramatic action moments, strong facial acting, and an all-around classic Batman aesthetic.



About The Reviewer: Gabriel Hernandez is the Publisher & EIC of ComicalOpinions.com, a comics review site dedicated to indie, small, and mid-sized publishers.

Follow @ComicalOpinions on YouTube, Facebook, Instagram, and Twitter


Final Thoughts

Detective Comics #1090 is a super-strong start to a new era of Detective Comics with a new creative team. Mikel Janín's art is a winning mix of modern drama and a classic Gotham aesthetic, and Tom Taylor's mystery concerning a new serial killer in Gotham has a lot of potential, albeit with one major point of concern.

8/10



We hope you found this article interesting. Come back for more reviews, previews, and opinions on comics, and don’t forget to follow us on social media: 

Connect With Us Here: Weird Science DC Comics / Weird Science Marvel Comics

If you're interested in this creator’s works, remember to let your Local Comic Shop know to find more of their work for you. They would appreciate the call, and so would we.

Click here to find your Local Comic Shop: www.ComicShopLocator.com



As an Amazon Associate, we earn revenue from qualifying purchases to help fund this site. Links to Blu-Rays, DVDs, Books, Movies, and more contained in this article are affiliate links. Please consider purchasing if you find something interesting, and thank you for your support.