It’s How You Handle the Hammer
Writer: Sam Humphries
Artist: John Timms
Colors: Gabe Eltaeb
Letters: Dave Sharpe
Cover: Guillem March
Variant Cover: Frank
Cho
Assistant Editor:
Andrea Shea
Editor: Alex Antone
Group Editor: Brian
Cunningham
Cover Price: $3.99
On Sale Date: August
1, 2018
**NON SPOILERS AND SCORE AT THE BOTTOM**
Do you see what I see? (Do you see what I see?)
An arc, an arc
A tale in comic books
It was told in issues but thrice
It was told in issues but thrice
This issue concludes this Harley
on Apokolips story arc, making it a three-issue arc! Blessed day! Now let’s see
what I think of the issue itself in my review of Harley Quinn #47, commencing now!
Explain It!
The problem with torturing a masochist
is that it isn’t much of a punitive measure. Harley and Petite Tina (didn’t
even recognize her in the last issue) are being zapped by Bernadette the Female
Fury, and Harley Quinn absolutely loves it. I mean…way more than a
rank-and-file masochist. Frankly, I’m not sure that it’s a sexual thing insofar
as it’s the only way she can feel anything. She acts broken, but then breaks
into her best Bugs Bunny shtick to show that she cannot be mind-controlled or
whatever. The Bugs Bunny shtick, however, allowed her to pilfer the key to her
cage that she shares with Petite Tina. After some cajoling, Tina decides to
flee with Harley.
And then, like…a million things
happen. Too many things, considering how bereft of action and plot the last
issue was. Tina and Harley find Granny Goodness’ bedroom, including a bedside,
life-sized statue of Darkseid, and then they find their respective hammers,
which pleases Harley to no end. They’re about to leave Apokolips, when the
hammer’s Granny Box points out that another batch of lowlies has been sent to
the Subjukator, and it would be within her character to rescue them. Harley
wears pieces of Darkseid’s costume to fool Granny Goodness, and it works for an
unusual length of time. Eventually, Granny fights back, and is about to clobber
Harley with her God-hammer, when Tina steps in and cleans Granny’s clock. They
make off with the Splinter of Destiny, which was needed to power the
Subjukator, then Boom Tube it back to Earth where Harley teaches Tina the finer
points of beach side mai tais. And then, the Coach calls with an urgent
message, which will lead into the next issue’s story!
Despite this issue being a pretty
quick read, and this story arc being an issue longer than necessary, I had a
lot of fun with it. Harley’s inability to be punished and her bopping around
Apokolips was more fun than I think it had a right to be. And maintaining
Harley’s heroism, which was developed over many years, was a relief to me. I
need to take a minute to mention the lettering, since Pat Brosseau is always
furious when it isn’t noted (though he didn’t letter this comic book): there’s
a gimmick where certain words are lettered outside of their word balloons, in
another color, I guess to denote a loud or strong statement. I don’t like it.
So there, I’ve even mentioned the lettering, which was not as good as the issue
on a whole! That is pretty irregular, if you ask me.
Bits and Pieces:
Harley Quinn reverts to form and saves the day, but not without a lot of silliness and violence along the way. This story, which sounded ridiculous when first solicited, wound up being a lot of fun. This just goes to show, you can't judge a comic book by its solicit. Strangely, you can judge a comic book by its cover.
7.5/10
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