Harl Hath No Fury
Writer: Sam Humphries
Artist: John Timms
Colors: Gabe Eltaeb
Letters: Dave Sharpe
Cover: Guillem March and Romulo Fajardo Jr.
Variant Cover: Frank Cho
Assistant Editor: Andrea Shea
Editor: Alex Antone
Group Editor: Brian Cunningham
Cover Price: $2.99
On Sale Date: July 4, 2018
**NON SPOILERS AND SCORE AT THE BOTTOM**
Harley
Quinn, the series, has been sort
of…weird for the last couple of months, as it had to tread water in wait for
the new writer, Sam Humphries, to take the helm. Well, he’s here now, and
Harley Quinn has gone straight to Apokolips. How do things fare from here? Have
a look at my review of issue #45 and find out!
Explain
It!
If you head out to Coney Island on a warm
summer’s day, you’ll find the beach absolutely covered in people. I’ve been to
Coney Island dozens of times, but never thought to hang out on the beach—fallout,
I expect, from the early 90s, when large quantities of medical waste were
washing up on shore. Though it’s been a while since I’ve read any more reports
of that (though it’s not as though I am consistently checking for updates), I
still have it in my mind that Coney Island is a “dirty” beach, as if other
landscapes of pulverized rock overlooking the exact same body of water are
magically cleaner. Point is, Coney Island is a popular beach whether I choose
to use it or not, and for Harley Quinn, it’s an ideal location since it’s right
in her backyard. So we find Harley, finally taking her much-needed vacation
from the constant goings-on around Coney Isle: Tony is taking over her building
for a while, the Gang of Harleys are, uh, out ganging, and she’s taken a leave
of absence from her roller derby team. All so she could hang out at the local
beach sipping piƱa coladas. Until a Boom Tube opens up and Female Furies
Lashina and Bernadeth.
Seems to me that there are two types of comic
book fans these days: those that like Jack Kirby’s work and enjoy stories about
his created Fourth World, and those that think the Fourth World and the New
Gods stuff is absolute fever dream nonsense. I tend to fall in the former
category, so I liked seeing Harley transferred to the authority of Granny
Goodness, in order to become a Female Fury herself. Granny offers her a new
weapon—a super hammer with a Mother Box pinging away inside, which either gives
her super powers, or compliments the super powers Harley was already given upon
visiting Apokolips. It’s unclear how it happened, but now she can fly around
and whack the crap out of parademons or whatever to her heart’s content. As
payment for these new gifts, Granny makes only one request of Quinn: kill the
former Fury Petite Tina, who is lurking somewhere on this hell-born planet.
Instead, Harley decides to poke around her new
home planet: riding an Apokoliptan dog; drinking with some random monster, possibly
from the parademon squad; and, uh, maybe kills Deep Six? It’s hard to tell. She
definitely chokes him for some reason. Eventually, Harley finds herself in some
kind of underground fight club—and if it’s underground on Apokolips, then you
can assume that it’s too violent for most Corrections Officers to enjoy—when Granny
breaks through telepathically to tell her to get to killing Petite Tina
already! Harley dispatches her fight club foe, and then goes out to find Tina—who
ain’t all that petite, I tell you what! Though you probably guessed that the
minute you heard the name “Petite Tina.”
I had more fun with this than I expected,
primarily because it didn’t expand into the whole New Gods thing (yet) and
Harley actually did some funny stuff. I’m also a fan of the day-to-day street
level stuff on Apokolips, which Kirby liked to describe but which few other
writers ever touch upon. I was also glad to see John Timms handling the
visuals, since I consider him to be “the” Harley Quinn artist, since Palmiotti
and Conner’s landmark run on the series. This isn’t a reboot of the character,
since all of Harley’s familiar trappings are name-checked at the beginning, so
I assume this will be more of a four-issue dalliance before we get back to our
regularly-scheduled Harley. I can dig that. And if she can keep the super
hammer after all is said and done, even cooler.
Bits and
Pieces:
Harley is on Apokolips, and she's fartin' up the fire pits! OK, not really...this is a pretty funny issue that should tickle fans of Jack Kirby's Fourth World especially. Others may be turned off by these Bronze Age trappings, but that's their problem. This definitely feels more like the familiar Harley Quinn of a few months ago.
7.5/10
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