Bad Daddy
Writer: Robert Vendetti
Artist: Clayton Henry
Colorist: Pete Pantazis
Letterer: Dave Sharpe
Cover: Stephen Segovia and Romulo Fajardo Jr.
Variant Cover: Tyler Kirkham and Arif Prianto
Assistant Editor: Andrew Marino
Editor: Brian Cunningham
Cover Price: $2.99
On Sale Date: June 13, 2018
**NON SPOILERS AND SCORE AT THE BOTTOM**
You know, for a murderous band of space
vigilantes that claim to see final justice, they go after an awful lot of their
own personal vendettas. If I didn’t know any better, I’d think that a license
to kill wantonly could be used to serve someone’s own ends! Find out just what
the hell I’m talking about in my review of Hal
Jordan and the Green Lantern Corps #46, which begins below!
Explain
It!
There’s a fine line between “justice” and “revenge,”
but there’s also a pretty simple way to tell when one is being employed over
the other: if making things right requires no self-sacrifice, then it’s
probably revenge. Also, if it targets your abusive dad, that’s probably
revenge, too. This is what Guy Gardner seeks, against his estranged, alcoholic
father. And for much of the issue, it looks like he’s about to do it—despite his
pop having become sober, and his tearful apologies, Guy really wants to blast a
hole in his head. But then his buddy Arkillo smashes into the scene and stops
Guy from offing his own daddy.
Beyond this, the other components of the story tick
ever so incrementally forward: Hector Hammond, acknowledging the guilt Hal
Jordan feels for his past transgressions (as well as the new revelation that
Hal accidentally freed the Controllers, which ultimately led to this situation
with the Darkstars); John Stewart works with Zod and the Eradicator to build a
Kryptonian Tele-Disruptor that will thwart the Darkstars’ movements; and Kyle
is kept in a cell on New Genesis with Cabby so Highfather can tell him that
Orion can’t come out and play today. So there are story beats, just none that
are really compelling.
Once again, we stand around and read chatter
while the story moves at a glacial pace. Framing the whole thing about Guy’s
hurt feelings over his childhood abuse is somewhat interesting, but proves not
to be very compelling when Guy refuses to have any real discourse with his old
man. The rest of it is pretty dull. I guess I might be interested in a Hal
Jordan/Hector Hammond miniseries, but only if it’s going to be as funny as
their interactions in this issue. While I think Guy’s story is the anchor,
Jordan and Hammond steal the show with their conversational antics.
Bits and
Pieces:
Guy's dad gets his comeuppance, but good! Beyond that, everyone sort of stands around, shifting from foot to foot, waiting for the director to call the scene so they can head back to their trailers. There's some nice-looking pages here, but I think you can put a pin in it and pick things up in the next issue; the closing caption promises some actual action.
6/10
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