Writers: Steve Orlando & Gerard Way
Illustration: Dale Eaglesham, Nick Derington
Colorists: Tamra Bonvillain and Marissa Louise
Letterer: Clem Robins
Cover: Clay Mann & Marissa Louise
Cover Price: $4.99
On Sale Date: February 28, 2018
**NON SPOILERS AND SCORE AT THE
BOTTOM**
And now, the end is near, and so I fear, the final
milk spill. This is it, folks! The end of “Milk Wars”…which wound up not being
so much of a war, and for which milk was more or less an allegorical
storytelling device. I guess that’s not a whole lot different than Star Wars—it’s the inhabitants of the
planets at war, not the stars. So it’s okay to be a little misleading. Have a
peek at my review of Doom Patrol/Justice
League of America Special #1, commencing below!
Explain
It!
I think, at one point during this un-event, I said
that one needed only to read the two bookending JLA/Doom Patrol issues to follow it, and the three issues within
were voluntary. Well, I’d like to rescind that statement: you will need to have
read part 3 of this series, Swamp
Thing/Cave Carson Has a Cybernetic Eye Special #1, to have any clue as to
what is happening. And even then, you might be lost. See, there’s a plain old
comic book story here that can be explained as “a rebooting of the Young Animal
universe.” But there’s a slightly more interesting allegorical story being
told, through the ministrations of Retconn and their socially-homogenizing milk
products, and the very existence of the Young Animal imprint.
It must be understood that, prior to the Industrial
Revolution, people did not define themselves by the things they consumed. It
simply wasn’t possible. Mass entertainment did not exist, nor did the leisure
time to enjoy it. There was no surplus of income to spend on trinkets and
distractions. So the very idea that one can and should aspire to be a “pop
culture expert” is somewhat dubious. It’s like being an expert of having your
testicles punched repeatedly by virtue of being the target of a school bully.
Experience may be the best teacher, but some lessons are simply not worth the
pain of learning.
This comic posits, and perhaps rightly so, that the
very act of writing comics is, in itself, “fan fiction.” There can hardly be a
person unfamiliar with the medium that would deign working in it, and indeed
many are quite dogmatic in their approach. Many fans also profess a slavish
devotion to the perpetually irritating four-color stories appearing in the
books on their pull list month-to-month. In this sense, comic books today are
always a postmodern deconstruction of the 20th Century, always our
nostalgia commoditized and quantified and sold back to us at a profit. And, to
be frank, this comic itself offers no conclusion to this state of affairs, at
least not for humanity. Because there is no conclusion: it is merely the way
things are.
All that being said, this issue is absolute fucking
bullshit because it was all smoke and mirrors to justify an unnecessary and
completely unearned reboot. Rita Farr rejoins the team, and Cliff turns into a
suspiciously blocky-looking human, but for the most part this is a cheeky nod
and a wink about starting the Young Animal imprint over with new number one
issues, all for the privilege of paying twenty-five dollars. I’m loathe to
scorn this book because, like most of this “Milk Wars” series, it looks
phenomenal: Eaglesham does an amazing job on the interiors, in particular a two-page
spread that involves every core character spilling out of a dimensional rift,
and it’s great to see Derington’s work on the epilogue. But fuck this book and
fuck this “Milk Wars” series. I tried to be open-minded about this thing, but
it’s little more than a grift.
Bits and
Pieces:
It's a reboot, folks. That's all this has been leading to the whole time. I doubt you'll get your money back from the retailer, but for twenty-five bucks this should have been a lot more. The artwork is gorgeous, but cannot stem my anger at having been duped.
5/10
weirdly comics will be fan fiction if your only schtick is a 10th generation xerox of grant morrison. I honestly cant believe they are doing a crossover and reboot after 10 issues while trying to pretend they are "alternative" - it's the biggest corporate whore-athon i can think of. fuck this imprint
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