Writers: Jimmy Palmiotti & Amanda Conner
Artists: John Timms, Chad Hardin
Colors: Alex Sinclair
Letters: Dave Sharpe
Cover: Amanda Conner & Paul Mounts
Cover Price: $2.99
On Sale Date: January 10, 2018
**NON SPOILERS AND SCORE AT THE
BOTTOM**
A couple of weeks ago, I made a big stink about how Harley Quinn #33 was Amanda Conner and
Jimmy Palmiotti’s final issue on the series. Turns out I was completely wrong
about that! Issue #34 is their final issue, and the very one that I’ve reviewed
right here! Read on!
Explain
It!
For their finale, Jimmy Palmiotti and Amanda Conner
have Harley Quinn drive down to Florida…to threaten their lives. What? Did I
give it away too soon? There’s a bunch of other stuff that happens, too, but
this is basically the hook. And it’s pretty funny, too: she smashes Palmiotti’s
computer while complaining about the rigidly-imposed continuity, clobbers
Conner’s drawing table while taking issue over all the characters jammed into
this series (which gets editorial support, by way of a caption), and then she’s
whisked away to a yacht with Poison Ivy by Amanda Conner’s artistic
omnipotence. And that’s sort of a weird point, too: this issue really pounds
home the loving relationship between Ivy and Harley. It’s something that’s run
through this series, and I don’t mind it, but it just occurred to me that
Poison Ivy’s been hanging around in every issue for months—even while Harley
was boinking away with her recently deceased boyfriend. I mean, he’s deceased now, he wasn’t deceased when they were
boinking. Ya sickos.
Harley is also reunited with her hyenas, now kept on
some kind of hyena compound, and visits with her parents and two brothers, who
I didn’t even know lived in Florida. Indeed, my keen comics sense detected some
set-up for Frank Tieri’s run that begins next issue, and which I’d heard takes
place in Florida…but at the end, Harley says she wants to get back to New York
and simplify things, concentrate on herself more and less on her menagerie of
misshapen weirdos. Which is something she’s said she would do before, and it’s
never happened. It was sort of a weird switcheroo since it looks like she could
just stay in Florida and have a whole new sitcom, sort of like how Jon Lovitz
wouldn’t stop hanging around FOX Studios so they eventually gave him The
Critic. But that’s for Tieri to figure out, and since Harley doesn’t end the issue
in Brooklyn, I suppose anything could
happen.
This is not the final issue by this writing team that
I expected. What Conner and Palmiotti have done with and for the Harley Quinn
character is absolutely monumental. Not very long ago, she was the Joker’s
punching bag. Now (as Amanda points out in the comic itself) she’s in games,
movies, and has captured the prolonged attention of disaffected teenage girls
worldwide. And make no mistake: ‘twas Jimmy and Amanda what done it. I would
have expected and happily granted some kind of pithy monologue, delivered
through Harley or Big Tony or Red Tool, an allegorical look at the time spent
on this title, what it’s meant to the creators, and how they’ve been humbled by
the support, etc. Instead, we got a solid Harley Quinn issue with a really
funny breaking of the fourth wall. I guess that says everything we need to know
about the writers of this series. Good job, folks.
Bits and
Pieces:
Now at their final issue, Palmiotti and Conner take Harley Quinn to places she's never been before...after she visits a few with which she's very friendly. You really might never know this was the last issue by two writers that have become synonymous with this series, and that is probably the point. Their parting gift to loyal readers is a funny issue of Harley Quinn.
8/10
No comments:
Post a Comment