Writer: K. Perkins
Penciller: Stephen Segovia
Inker: Art Thibert
Colorist: Hi-Fi
Letterer: Josh Reed
Cover: Ken Lashley & Hi-Fi
Cover Price: $3.99
On Sale Date: September 13, 2017
**NON SPOILERS AND SCORE AT THE
BOTTOM**
Man, that Lana Lang is sure having some trouble
getting a hold on these super powers, huh? Don’t you worry—she’s new to this.
She’ll get the hang of it eve…what? It’s the fourteenth issue? You say Superwoman’s got two trades and then
some in the can already? Well what the hell is the problem, then? By now, most
powered folks would have constructed their second secret lair. Well, last time
we left her…cripes, she’d destroyed Smallville with the high school weirdo,
right? Maybe this will be the tipping point. Read my review and find out!
Explain
It!
There are few things as satisfying to the consumer
but frustrating to the creator as a character’s development in serial
storytelling. Most created things can be appreciated in a small fraction of the
time it takes to make them; a gourmet meal, a large marble sculpture. But to
create something to evoke a pleasant emotion, the labor costs involved therein
are unknowable and various. As famous inventor and artist Michelangelo
expressed, “If you knew how long it took me to attain this mastery, it wouldn’t
seem so wonderful.” I don’t know if that’s true, but I can certainly say that
one’s appreciation for an issue of a comic book would be greatly diminished if
they took the months to read that they take to manufacture.
Writing a character is a nuanced mix of personality,
believability, and time, and I doubt there is any definitive algorithm that can
be applied in every situation to achieve a predictable result. In what has
been, to use the publisher’s term, a Rebirth of Lana Lang, the author must also
overcome those expectations placed against her, which span several decades and
dozens of creators. But one would think that by the fourteenth fucking issue
we’d know more about Lana besides her being irrationally stubborn and prone to
shunning those she loves. Fourteen issues. A year and two months. I agree that
each issue of a comic book should be as accessible to new readers as possible.
I disagree that every issue should be resetting the narrative to reap the same
meager response effected from the first time we saw Lana grimace and imply,
“fuck you, I won’t do what you tell me.”
And here, I feel like I missed an issue between #13
and this one. But I didn’t; I checked. Last issue kicked off with the
destruction of Smallville at the hands of Lana and her childhood chum Amos
having been accomplished, and much of the story was filled in with flashbacks.
This issue seems to begin further into the future, since last we left Supergirl
showed up just as a Red Kryptonite-addled Amos was about to pummel the life out
of Luthor. Last issue’s flashbacks have been replaced with less-endearing
exposition, and then we move on to a completely new story involving Supergirl
and a new Maxima, which is more like the old pre-New 52 Maxima, in that she’s a villain. I appreciate that this book
references some of Supergirl’s New 52
continuity, but let’s be real here: the number of people who read that Crucible
arc minus the number that might remember it would be somewhere in the single
digits. Better to absolve yourselves of that less-than-stellar run and forge
ahead with the Supergirl stories you’ve
got since Rebirth.
On top of that, Lana still struggles to understand.
Everything. She always goes on about how she’d like to emulate her best friend
Clark, but there’s never any progress towards Lana becoming that kind of hero.
I wouldn’t expect it right away, but now, a year-plus into the run, I’d really
like to see Lana more comfortable in the role, and not prone to using her powers
in explosive bouts of anger. This issue is very nice visually, presented very
cleanly with some very dynamic in-panel action. But the story seems garbled,
somehow. Must have been in the translation from creator to reader.
Bits and
Pieces:
A nicely-presented but confused issue that seems disconnected from the previous one. That, in itself, is disappointing, but more disappointing is that we're still on Square One where Lana Lang is concerned. It would be too bad if she were reduced to an angrier, more hot-headed Hal Jordan, because her character was really interesting through much of the New 52 and the weekly series Future's End...until its conclusion, that is. Those that read it know what I mean.
6/10
was that Kon el while maxima was looking at supergirl and jon kent?????
ReplyDeleteI havent read this in awhile in konel is back im all in though
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