Waller Takes a Fall
Story: Rob Williams
Art: Giuseppe Cafaro
Epilogue Art: Agustin Padilla
Color: Hi-Fi
Lettering: Pat Brosseau
Cover: Juan Ferreyra
Cover Price: $3.99
On Sale Date: September 13, 2017
**NON SPOILERS AND SCORE AT THE
BOTTOM**
This is it! The conclusion of the arc…whatever it’s
titled. “Kill All Children?” No wait, “Kill Your Darlings,” a delicious double
entendre that titillates as much as it excites. Amanda Waller’s been taken over
by a Russian techno-ghost and is part of an international conspiracy to trap
superheroes! Bomb-brained Suicide Squads around the globe have been activated
by secret society The People to do just that! And I think Batman is there? Why
am I writing all this nonsense? Let’s hop into my review of Suicide Squad #25 and get cracking!
Explain
It!
Membership in the Suicide Squad is a crash course on
the failures of America’s prison system and the concept of criminal
rehabilitation as a whole. Task Force X assumes that criminals—at least some criminals, those with useful
abilities and a predilection for murder—cannot be rehabilitated, and so their
debts to society must be extracted by force. That is pretty bleak, my friends.
Better one be sentenced to death than to have their freedom, as sociopathic a
bent it may have, utterly nullified. You could argue that any incarcerated
person is, by rights, without their freedom, and yet they still maintain the
basic freedom to commit misdeeds on their own accords, and not in service to an
overbearing overlord.
So we have Amanda Waller, compromised by an Internet
ghost, prepared to send International teams of brain bomb-controlled Suicide
Squads to subdue superheroes around the world and bend them to the will of The
People. There’s a big flaw in this plan: what if these supervillains can’t defeat superheroes? I mean, the
reason they were in prison is because they lost to their regional Superman in
the first place. Another thing to consider is that when all the metahumans are
locked up, what exactly would you have them do? I suppose they could be forced
into dangerous labor jobs.
The big surprise in this issue is the return of
Boomerang, which was done by Teleportin’ Enchantress on Katana’s orders. Not
surprising is the team more or less accepting him back into the fold, despite
having left him for dead the other day. He injects some levity into the
proceedings, but not quite enough. In the end, anyone and anything still
threatening is murdered or commits suicide, so all’s well that ends well.
Theoretically.
All of the action and swagger seems correct, but this
issue is devoid of any real story. It’s a bunch of sustained reactions to
revelations that, in truth, aren’t very surprising or interesting. Looks like
Katana will be leading the team, which is something we wanted, I guess? The art
in this is a little inconsistent, but overall it’s good. I’m not sure why
artists keep hopping on and off of this series, and if editorial has any
control over it, they should stop it.
Bits and
Pieces:
Plans are enacted, plans are thwarted, and I can't help but feel like we've trod this ground before. A fairly flat ending to a pretty sluggish story arc, this book has its moments but overall it's just a pastiche of japes and jests and wholesale murder. In that light, it could be worse.
6/10
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