Story: Rob Williams
Art: Agustin Padilla & Juan Ferreyra
Color: Adriano Lucas
Lettering: Pat Brosseau
Cover: Eddy Barrows & Eber Ferreira & Adriano
Lucas
Cover Price: $2.99
On Sale Date: August 23, 2017
**NON SPOILERS AND SCORE AT THE
BOTTOM**
Man, Eric and Jim excoriated the last issue of Suicide Squad on the podcast, huh? I
didn’t mind so much, but I have to admit they were probably more critical of
the actual story. Me, so long as I get an experience comparable to the Last Action Hero, I’m happy. Well,
henceforth I demand more coherence from my comic book stories, and I’m trying
out a new writing style that you can check out in my review of Suicide Squad #24, right here!
Explain
It!
Consider that, until recently, the belief that
criminals could be rehabilitated was not commonly held; indeed, criminals were
tortured or punished and expected to tow the line out of fear, not
enlightenment. It was only when the concept of a penitentiary, a place where
someone could practice penitence in solitude, was introduced that society began
to believe that the criminal mind was not an inherited deficiency. Under the
proper conditions, it was said, a ne’er-do-well could be transformed into a
productive member of and contribute to society, which is preferable to keeping
someone imprisoned on the public dime.
If the idea of criminal rehabilitation is true, then
Amanda Waller is truly the worst human being in the DC Universe. Let’s even
pretend that being a member of her Task Force X, performing the sorts of
clandestine assassinations and black ops wet work that isn’t discussed in most
government circles, is an inherently good thing; the Suicide Squad is still
forced to do this work on penalty of instant death. So they contribute to
society, in a sense, while still retaining all of their criminal impulses. This
works fine, from society’s standpoint, unless the criminal in question defuses
their brain bomb somehow and escapes incarceration. Which happens in pretty
much every issue of Suicide Squad. So
there are flaws in the program.
The situation this issue is that
post-having-grabbed-Killer-Frost-for-Waller’s-crazy-witch-hunt, Harley Quinn
isn’t feeling too hot about the leading the team anymore, and Katana feels the
same way, particularly when her sword keeps reminding her of what a lame-ass
she’s been to follow Waller’s orders so blindly. They decide to team up and
stop Waller’s crazy crusade for Direktor Karla, while Batman makes his way into
Belle Reve to retrieve Killer Frost and, assumedly, whup Amanda Waller
something fierce. While it looks like Waller is a pawn for Karla and his
organization known as the People, it turns out waller was controlled by the
Gulag, one of the members of that Russian Annihilation Brigade, all along! And
the People’s war against the world’s superheroes has been initiated!
I don’t know if Jim and Eric will want to eviscerate
this issue, but I enjoyed it well enough. There’s an interaction between Batman
and Killer Croc, and Katana finally dealing with the fact that she works for
Waller without a brain bomb was overdue. Visually this looked terrific,
everything looked bombastic and I thought I sensed the influence of Juan
Ferreyra during certain scenes—and I was wright! The art style helped the whole
thing look more cinematic, which only validated my usually-held requirement that
each issue of Suicide Squad be as
good as the Arnold Schwarzenegger vehicle the Last Action Hero.
Bits and
Pieces:
Allegiances are broken, new alliances are formed, and few jokes are bandied about in this solid issue of Suicide Squad. There's still the problem of each character having something to do in every issue, but there is some forward movement on the story and a reveal that makes continued reading worthwhile. Plus: Batman! Who could ask for more?
7.5/10
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