Writer:
Rob Williams
Penciller:
John Romita Jr.
Inker:
Richard Friend
Colorist:
Dean White
Cover:
Romita, Friend & White
Back-up Penciller: Eddy Barrows
Back-up Inker: Eber Ferreira
Back-up Colorist: Adriano Lucas
Letterer:
Pat Brosseau
Cover Price:
$2.99
On Sale Date: March 22, 2017
**NON SPOILERS AND SCORE AT THE BOTTOM**
I would like to suggest something radical that could
change the nature of many comic books coming from the DC offices these days:
superheroes do what they do, in part, because it is fun. They enjoy it. They
may be motivated by a death in the family, or guilt, or a youth spent at the 4H
Club, but ultimately they zap things with hand blasters because it’s a good
time. And villains are the same way. You think it’s expedient for the Riddler
to set up those complicated, oversized death traps just to rob a museum? His
net profit must be less than five percent—and that’s if he pulls off the heist, which is unlikely. Anyway, I’d really like
to see some of this so-called fun employed in this title. Everyone is such a
sad sack all the time, tasked with responsibility and misery and bitter
feelings, when really they could be reveling in the fact that they can employ
their bizarre talents on the government’s dime. Then again, they haven’t gone
anywhere outside of New Orleans for like nine fucking issues, so maybe
resentment has set in. You know when I’m reviewing the comic book at hand in
the introduction, things are about to get heated! Strap in for a potentially
incendiary review of Suicide Squad
#14, right here!
Explain
It!
So Hack is dead. Seemingly. We did see her going
slightly digital as she was stabbed by Captain Boomerang at the end of the last
issue, so I have a feeling we’ll see her again. But for the time being, Hack
ain’t jack. This makes Harley Quinn really pissed off because Hack was totally
fangirling over her a few issues ago, and last issue they shared some kind of
touching exchange that actually impelled Hack to return to Belle Reve and
ultimately get stabbed by Captain Boomerang. After she accused Harcourt of
being the mole, and presumably Harcourt saw it happen. So…she’s a mole too, I
guess? When a full quarter of your team is working for the enemy, you really
have to question its effectiveness.
Speaking of the enemy, as it were, Rustam is
destroying Washington D.C.? Is this a thing I’m really seeing without the
intervention of any other superheroes? Superman wouldn’t show up for this? Rick
Flag and Katana are in chains, being led around to watch the carnage for some
sadistic reason that I don’t comprehend. Then they all step into a portal
because why the fuck not, it’s not like anything makes sense in this comic book
anymore.
See, you want to have your cohesive comic book
universe, but then you keep levying massive threats and disasters against our
protagonists and don’t take the time to explain the reactions of other
characters that are supposed to populate the same space. Since they’ve been in
Louisiana for like nine issues, have Swamp Thing drop by. Anyway, Harley goes
all berserk over Hack, then she uses the Suicide Squad Deactivated Brain Bomb
Closed Address System to tell the gang to get back together. Boomerang is at a
bar having a drink and crying, which will be important in the back-up.
Then Harley steals a jet and flies to Qurac, which is
where Team Rustam emerges from their portal. There’s a scuffle, Deadshot shoots
Harley, etc. In the back-up, Captain Boomerang challenges Killer Croc to a
fight because he’s suicidal over having killed Hack and betrayed the Squad.
Enchantress convinces him that heroics are better than self-loathing, so they
head over to Qurac somehow and rush out to meet Rustam’s Boyz who now also
include…Amanda Waller!
So she’s not dead, so there are even less stakes to
this story than previously thought. It’s just become very lame, and I’m really
getting bored of everyone farting around just so we can return to the same
point that we left. For what it’s worth, I think John Romita Jr.’s art was
better in this issue than in the previous two, though it had some problems.
Eddy Barrow’s art looks pretty spectacular, particularly in comparison. Not
worth three bucks, though.
Bits and
Pieces:
The story meanders along slowly despite cataclysmic events happening in the background. Looks like most everything will snap back to start soon enough, lowering the stakes to nothing at all. It's tough to root for any characters in this book. Eddy Barrows art, however, is terrific.
3.5/10
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