Writer:
Rob Williams
Penciller:
John Romita Jr.
Inker:
Richard Friend
Colorist:
Dean White
Letterer:
Pat Brosseau
Back-Up Penciller: Eddy Barrows
Back-Up Inker: Eber Ferreira
Back-Up Colorist: Adriano Lucas
Cover:
Romita, Friend & White
Editor:
Andy Khouri
Associate Editor: Harvey Richards
Group Editor: Brian Cunningham
Cover Price:
$2.99
On Sale Date: February 8, 2017
**NON SPOILERS AND SCORE AT THE BOTTOM**
That crazy Justice
League vs. Suicide Squad crossover is done with, so now we can get down to
the business of Task Force X proper! Which is, namely, being crazy. We’ve got a
new penciller on board, though: John Romita Jr.! And still those back-ups…this
really might be business-as-usual. Let’s take a look together in my review of Suicide Squad #11, right now!
Explain
It!
Rustam freaked out Amanda Waller and further strained
her relationship with her children in the last issue, so he came up with a new
trick: freeing everyone from every prison. Everywhere. Starting with Belle
Reve, of course. Waller is on forced leave after possibly showing a sliver of
emotion when she thought Rustam was going to kill her children, leaving
Harcourt in charge. Do we even know what government agency Harcourt works for
yet? I feel like that’s something people should know before installing her as
the coordinator for a team of criminal assassins. Speaking of whom, the Suicide
Squad are in Tibet, to wipe a guy and steal a hard drive…or maybe the other way
around. Point is, there’s going to be a lot of carnage, you can bet on that.
One thing they’re looking for is the Annihilation
Brigade, that awesome band of Russian metahumans we saw for like two seconds in
the third issue. You remember, one guy had a hammer for a head? Intel says
they’ll be in Tibet, but they aren’t…which is pretty much a letdown. Why even
get my hopes up? While the Squad is halfway around the world, Hack is…hacking,
I guess, and she turns up some classified information about a spy within the Suicide
Squad that she shouldn’t know, and I guess we shouldn’t know it either because
it remains unsaid. Hack is also feeding information directly to Waller, which
is nice of her. At the end, Rustam blows open the walls of Blackgate Prison and
frees all of the inmates.
The back-up is interesting, because the Suicide Squad
gets a little “shore leave,” which I didn’t know was something dangerous
prisoners could get. Here we get to see our favorite members of the Squad cut
loose a little, which they have difficulty doing because they’ve had a taste of
heroism and find they quite like it. Boomerang can’t cavort with hookers,
Harley can’t rob a bank, and then Amanda Waller gets shot point blank in the
chest. I especially liked the fact that this back-up takes place in the current
day, and actually has immediate relevance. I heartily endorse this practice!
So readers of my reviews may or may not know, but I
have not been impressed with John Romita Jr.’s work for DC Comics, for the most
part. Mostly when it comes to faces. The way the book is plotted and the
characters designed, however, he doesn’t need to draw a lot of faces…so it
looks pretty dynamic. Eddy Barrows’ art in the back-up is good, but I’d have
expected that. With the two stories in this issue together, we get something
potentially compelling, which is a neat trick. Good job. I don’t know if this
is quite what I was expecting after Justice
League vs. Suicide Squad, but I can’t say I find it unpleasant.
Bits and
Pieces:
We head back into familiar territory after the Justice League vs. Suicide Squad crossover, but some things are...different. The two stories contained in this issue read more like a two-act play, and this also means they both "count." I wouldn't call this a thrill-ride (because then Jim would mock me), but it is a pretty solid issue that lays out some intriguing developments--particularly the one on the last page which is quite the cliffhanger!
7.5/10
Romita is a mixed bag of an artist. His art here is serviceable but not great. His cover is downright awful. Fortunately, I bought the other variant cover with Amanda Waller on the cover (which sold out at my LCS).... my retailer has lots of copies of Romita's cover still on the shelf.
ReplyDeleteI am a little miffed that DC would assign such a mediocre artist to a storyline involving the "death" of a popular character, but you make a very good observation that Romita tends to avoid drawing faces and focus on his strong points, which are action sequences and dynamic movement.
Cover not good but interior wasn't as bad as I thought would be .
DeleteI am not a fan
Delete