It's Altogether Ooky
Writer: Sarah Vaughn
Illustrator:
Lan Medina with Phil Hester
Color Artist:
José Villarubia
Letterer:
Janice Chiang
Cover Artist:
Stephanie Hans
Cover Price:
$5.99
On Sale Date:
December 7, 2016
**NON SPOILERS AND SCORE AT THE
BOTTOM**
So what if Boston Brand and
Floyd Lawton teamed up and fought crime together?
PREMIERING WEDNESDAY NIGHTS
AT 9 PM
THE DEADMAN AND THE DEADSHOT
THEY STOP CRIME…DEAD IN ITS TRACKS
So here’s my review of Deadman: Dark Mansion of Forbidden Love
book two!
Explain
It!
If you purchase this issue at the comic shop, try to
negotiate a price of five bucks, and agree to light a dollar on fire, because
the first sixth of this book is a rip-off. Eight pages of Deadman and Adelia in
black panels, chatting about the things they don’t know, like why they’re
trapped in Glencourt Manor, and why she’s manifested all of a sudden. Deadman
even looks at Adelia’s memories by shoving his face into hers, and determines
that she was murdered, but no information as to whom or why. Eight pages! The
art looks pretty nice but it seems like a real scheme, like I’m looking at a
catalog of prints for sale in Artist’s Alley. Eventually, they leave their
ink-laden hangout and find Berenice in the living room, looking over some old
things of Adelia’s. After scaring the daylights out of her, Berenice informs
them that Adelia was married to the first owner of Glencourt Manor, Edward
Ruskin…who I guess wasn’t very narcissistic since he didn’t name the castle he
built after himself. Just then, a super weird ethereal wind blows through the
place, knocking Deadman and Adelia to the ground…wait a minute, they’re ghosts!
How do they get knocked to the ground? You think they’d dissipate or something.
Having no correlation to that, Berenice’s boyfriend Nathan emerges from his
study to take a break from writing. He tells his best gal that he has a special
announcement for her later on, so she should stick around.
Of course, Berenice leaves almost immediately for
town, to research some of her findings at the library. Looking through some old
newspapers, Berenice finds that Adelia went missing just after her wedding, and
her husband Edward was so distraught that he moved out of the mansion he’d
built and fucked off to who knows where. Berenice further researches whether
any ghost-binding spells have been levied against Glencourt Manor, which is
something I didn’t know you could research at the library. She thinks to
herself that the husband is always the obvious culprit, but he’s long dead so
she can’t pursue that lead. Uh, you could research his life, Berenice? He moved out of the manor, and then what
happened? Follow the money. I’m disappointed in you for giving up so quickly.
While in town, Berenice heads over to the antique shop to smooth things over
with Sam, after their awkward near-kiss last issue, and instead they reunite
with an awkward hug. Sam has fixed Berenice’s broken bowl, which touches her
heart even though it still looks like crap. Sam agrees to drive her back home,
it having gotten dark outside.
Back at Glencourt Manor, Berenice wants Sam to look
at some of Adelia’s stuff with his trained eye, but upon entering, they find
Nathan. Turns out he’s got some big news: the first draft of the book is
finished! That means they can move out of stuffy old Glencourt Manor and into
an apartment in the city, which Berenice preferred before she met her ghost
buddies. To further excite the moment, Nathan bends on one knee and proposes to
Berenice, but when he slips the ring on the crazy haunted wind blows through
the place again, bringing Nathan and Adelia terrible pain. As the house shakes
and emits crazy sounds and voices, Berenice kind of stands around like a space
cadet. When Sam snaps her out of it, she says she feels the darkness growing
stronger, and I’m thinking if it gets any stronger than it was at the beginning
of this issue, they can print this comic book in black and white. Things get
freakier, and on the last page a scary smoke monster threatens Nathan, which I
guess is as good a cliffhanger as any.
There are a lot of elements that I like in this book:
the ghosts, the murder mystery, the love triangle, and, for the most part, the
artwork. But all of these things are presented inconsistently and without good
pacing. We spend too long reading about some scenes, too little on others, and
the overall effect is pretty unsatisfying. Also, I don’t like Berenice as a
character. I like everyone else, save for Nathan (who is clearly supposed to be
a dick), but Berenice irks me. Perhaps that’s the point, as well. Insofar as
not thinking Deadman was acting like Deadman, I still feel that way but I’ve
gotten over it as a point of criticism. This is now its own unique story, and
whether it will impact continuity remains to be seen. Considering the part
Deadman’s played in this book, however, I couldn’t imagine what that impact
might be.
Bits and
Pieces:
The plot thickens as Berenice learns more about Adelia's sordid past and why ghosts get stuck at Glencourt Manor. Perhaps it thickens, however, a bit too slowly. Could have stood this losing a buck off its cover price, while we're on the subject.
5.5/10
Since it's bimonthly, I've already forgotten what happened in the first issue. I read this one, but I think I'm going to have to read issues one and two again when three comes out. I don't think I would have given it such a low grade personally, maybe a 7, especially since the Art is so beautiful.
ReplyDeleteI disagree strongly. The issue was beautiful and the story well done. For someone reading Deadman for the first time - I'm LOVING it.
ReplyDeleteI'd say that you still aren't reading Deadman here because he doesn't do a goddamn thing in this issue. Should have simply called this Berenice: Dark Mansion of Forbidden Love and made it a Vertigo title.
DeleteYour love in this Dark Mansion is FORBIDDEN!
DeleteYou will not be allowed to leave the theater during the microfiche scene