Written By: Gail Simone
Art By: Dale Eaglesham and Tom Derenick, Jason Wright
Letters By:
Travis Lanham
Cover Price: $2.99
Release Date: February 17, 2016
*Non-Spoilers and Score At
The Bottom*
She’s got poise and grace,
and a badly-scarred face, it’s Strix! She was treated real bad and now she
speaks through a pad, it’s Strix! She’s a cold-blooded killer in leather, and
she really likes ice cream—even in chilly weather. She’s down with the Secret
Six, it’s Strix! We’ve come to love the character in the pages of Secret Six, but because the group’s
members take people at face value and don’t pry, we don’t know a whole lot
about her past. All that’s about to change with this issue, that kicks off a new
story arc for the team! I can’t wait to learn more about our favorite Talon,
can you? You can? Well why don’t you read my review while you’re waiting!
Explain It!:
By my count, this begins
the third story arc in this volume of Secret
Six. The first one was plagued with early onset delays and then got demolished
by Convergence happening right in the
middle of things. The second one seemed to lose an issue after it had already
begun, and now this one is likely to be the last arc of Secret Six after DC’s Rebirth—whatever
it is (we find out tomorrow!)—kicks off in June. It looks like this one is
dedicated to one of the cutest emotionally and physically scarred assassins
this side of Jonah Hex: Strix! Indeed, it all begins in the backyard of the
Secret Six’s suburban lair, where Porcelain is about to spar with Strix, who is
actually wearing a pair of overalls if you can believe it. This strikes me as
both adorable and fittingly out of fashion for an eighty-plus year-old
cryogenically frozen abuse survivor. Strix whips the tar out of Porcelain,
which is about what everyone expected. Still, Strix offers some encouragement
by writing “YOU FIGHT VERRY GOOD” on a pad.
At that very moment, Thomas
“Catman” Blake is strolling through a local park, walking the team’s dog and
gross sheep/fly hybrid thing, which I honestly forgot about. He notices Batgirl
following him, and calls her out. This is it, folks! Gail Simone writing
Batgirl of Burnside! What subtextual clues can we divine that will evince the
anger and rage she feels over having been replaced on Batgirl by a bunch of young upstarts? How deeply can we read into
every letter of every word spoken by Batgirl to prove our hypothesis that Gail
Simone has a real axe to grind with DC editorial??? My guess: very. But at face
value, she’s just being the same old Batgirl, and because two trained fighters
are meeting for the first time in a comic book, they must fight. The two of
them scrap and taunt for a while, and eventually Blake gives Batgirl her props.
This instigates the code of the streets, I guess, because after that Batgirl is
all cool and says she was only testing Catman to make sure he wasn’t wearing
any butt padding? I guess? But now she explains that she’s really there because
someone’s after her old buddy Strix, who she knows from back in her black n’
yellow days. There’s no time to explain! We have to hurry back to Secret Six
HQ!
At said HQ, Porcelain and
Strix are playing makeover. Porcelain takes Strix’s bandages off to see her
scarred face, and goes to get a metric ton of foundation to cover it up. This
is being spied upon creepily by the rest of the crew, who are lurking outside
the door to Porcelain’s bedroom for some reason. Big Shot gets a call from
Catman who says he’s coming home with Batgirl, and she and the Ventriloquist
totes don’t get along, so he’d better make her scarce. While they run to the
Six House (my name), Batgirl tells Catman about Strix’s origin: horrifically
scarred by an explosive device deployed randomly by the Japanese during World War
II, she finds she can only get work with the traveling circus, which we know is
also the recruitment center for the Court of Owls’ Talon-in-training program.
She suffered the requisite mental and physical abuse, got Talonized and put on
ice, and now she is mentally a child and also not a very good speller. Big Shot
gets another call and thinks it’s Blake again, but it turns out to be Sue
Dibny—I wondered if this weird tidbit from early in the run would be coming
back. For those just tuning in, Big Shot is actually Ralph Dibny, the Elongated
Man, who has assumed the shape of Big Shot because he’s super-depressed that
his wife is a mind-controlled agent of Mockingbird. Who was actually the
Riddler. Actually, he was originally assuming the guise of Big Shot because he
thought his wife Sue was dead. How being Big Shot really figures into all this,
I have no idea, but this phone call allows Eaglesham to draw Big Shot with a
really stretched out face, which looks terrific.
After applying roughly
four inches of makeup to Strix, she looks reasonably normal. Porcelain leaves
the room to get some clothing, and Ventriloquist and Ferdie enter to sing a
duet of “Just the Way You Are.” Strix then wipes off all of her makeup and when
Porcelain comes back has written “I AM STRIX NOT MAKUP” on a pad, so they hug
affectionately. I would have been like fine, bitch—but you asked about my
lipstick so don’t catch attitude with me! Outside the room, a cheerful Big Shot
collects Black Alice and the Ventroloquist to take them out for ice cream, in
order to get them out of the house as well as celebrate having spoken to his
wife. They are beset by a shadowy figure that dispenses with everyone—even
Ferdie—in an awesome page that should be framed and hung in the Metropolitan
Museum of Art, and the attacker turns out to be Lady Shiva, who wants to
recruit Strix for the League of Assassins!
The whole creative team is
on the book at the beginning of an arc, and everything works. This is actually
one of the less weird issues of Secret Six, which is odd to say considering it
contains an undead assassin’s makeover and a flying sheep with a fly’s head. I
can’t help but feel cautious about this arc, and wonder if it’s going to be
truncated or otherwise screwed out of its full potential by editorial
oversight, but only time will tell. If it keeps going at this pace and level of
quality, then I’ll ride this sucker into the heart of the blazing sun! Yee haw!
Bits and Pieces:
Arc number three for this
volume of Secret Six begins with this
issue, and it’s a solid story. Batgirl shows up for no huge reason and never
really matches that awesome scene on the cover of the issue. If you don’t want
to know more about the enigmatic and adorable Strix, then this issue is not for
you. But if you want to see Dale Eaglesham and Tom Derenick put a clinic on
comic book storytelling and make it look easy as pie, then there’s loads of
that in this comic. It’s a tough one, I can tell you’re torn. Might as well buy
the comic and act put out about it than regret having missed something later.
8.5/10
"Nice shoes"... cheap shot Ms. Simone, cheap shot. I don't think Catman or Gail Simone really like Batgirl's shoes.
ReplyDeleteNot a bad issue. Buly now, however, I would prefer the book had a little direction. I do my best to not compare it to the last run but it's virtually impossible. That being said, I would like something a little more than the six of them hanging out at Big Shot's house waiting for someone from their respective pasts to show up and cause trouble.
And I don't know why, said that fly-goat grosses me out a little. Although, I do like that they take it for a walk as if there's nothing strange about it. The neighbors must fucking HATE the Dibny's for killing their property value.
I think the fly-goat grosses you out because you are a normal human being with feelings!
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