Written By: Ming Doyle & James
Tynion IV
Art By: Riley Rossmo, Ivan Plascencia
Letters By: Tom Napolitano
Cover Price: $2.99
Release Date: February 10, 2016
*Non-Spoilers and Score At The Bottom*
You know what’s unfair? You don’t see any crazy
neo-conservative moralistic groups campaigning against Constantine: The Hellblazer. Sure, the knitting club will organize
a ten-person boycott of the Olive Garden for a television show called Lucifer, but John Constantine is
straight up hanging out in hell, carousing with demons, and the comic gets no
hate. It’s inherent blasphemy, not to mention proud sodomy and blatantly making
amoral behavior look cool, should put this comic at the top of any concerned
parents’ list. I want everyone reading this excerpt right now to go purchase
one copy of Constantine: The Hellblazer—for
the low price of two dollars and ninety-nine cents!—and expose it someplace
conspicuous that an authority figure might see it. Bring it to school and read
it during lunch! Roll it up and stick it in your back pocket when you go to
church! Because if we can get just one lame unprogressive protest group to zero
in on this comic book, sales will skyrocket. It’s a great book, and if you’re
not convinced you can read my review!
Explain It!:
I love the way Constantine: The Hellblazer looks so
much, I wrote the art team a little poem:
Oh Riley Rossmo
Your art is so bossmo
And Ivan Plascencia
Your colors are intensia
Last issue, yuppie demon Neron caught John
Constantine and Papa Midnite trying to sneak into his ultra-exclusive club,
which used to be Papa Midnite’s club before it was bought out from under him.
Now John and Papa are in the city of Dis, which exists in the sixth through
ninth circles of Hell in Dante’s Inferno. It’s basically a really shitty place
where souls are bartered and exchanged for no better reason than commerce being
the thing that makes cities thrive. John and Midnite aren’t thriving, however,
instead they are stripped to their waists and tied with barbed wire to what
look like white-hot stakes, while creepy demon jerks slice at them with
oversized Wolverine claws. Neron eventually strolls over and explains that because
Hell is timeless, they will be tortured for an eternity until they agree to
give up their souls, which is really a shitty deal since you know they’re just
going to torture that soul for eternity once its host dies. To illustrate,
Neron pulls out John’s heart and lets his chest heal so he can do it again
later. Neron then helpfully lays out his whole plan: to get every human to sell
their souls in exchange for secrets about magic. It’s a pretty stupid plan, but
meh, I’ll go with it. Neron is feeling so pleased with himself, he releases John
and Papa Midnite so they can have a little chat and to progress the story.
Constantine and Papa look through their cell phones
for anyone they know in Hell, but come up empty. Just then, John’s demonic
lover that he double-crossed, Blythe, shows up and offers to get them both “top
side” if they’ll reach through and pull her back to Earth when they get there.
John, in his usual way, says a lot of sarcastic shit but Papa Midnite is
grateful and even flirty with the six-eyed Blythe. So begins a little walkabout
through Hell, which is more like a seedy London neighborhood than an
oppressively searing pit of despair and volcanoes. After some obstacles, the
trio gets to the exit door, when it comes to light that Papa Midnite didn’t
actually fatally poison Constantine’s boyfriend Oliver in order to get his
help, he only pretended to fatally
poison Constantine’s boyfriend Oliver in order to get his help! This pisses off
John royally, and, despite Papa and Blythe exchanging some words that imply
there is something bigger at stake, he storms through the doorway alone and
into…a hostile fairy land!
This book is cool, and so different than anything DC
has put out in recent years. Indeed, in another life, this could have been a
Vertigo title (and, in another life, it was.) But that doesn’t really affect
the fact that it’s a heck of a lot of fun to read and great to look at. I don’t
mean to seem like I am attacking the writing acumen of Ming Doyle and James
Tynion IV, they do a great job with pacing and dialogue, without too many
long-winded scenes of exposition. But whew, that art! It’s fairly well worth
the price of admission alone.
Bits and
Pieces
The characterization of John Constantine is fantastic
and his Lethal Weapon routine with
Papa Midnite is wonderful. This is a really enjoyable, well-paced comic book
that should have fans of DC’s creepier side flocking. The artwork alone—oh the
artwork! Minstrels should be singing its praises o’er the countryside, waving
linen prints of the splash pages like fluttering flags, beckoning children, squealing with laughter and grasping reflexively with their pudgy little fingers, to run behind and follow this art where it may go.
9/10
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