Creators: Bob Davis, Charles Biro, Bob Wood, Jack Cole,
Victor Pazmino
Published By: Lev Gleason
Cover Price: 10 cents
Cover Date: July 1941
*Non-Spoilers and Score At
The Bottom*
I know my tens of readers
are probably sick of me dragging some weird, obscure comic books into the
spotlight for Just For the Hell Of It Mondays, so this week I decided to pick a
character that’s everyone’s favorite: Daredevil! You know Daredevil! Fighter
for justice! Righter of wrongs! Snazzy dresser with a two-tone body suit and
spiked belt! What’s what? Oh, you must be thinking of that other Daredevil, the blind lawyer that hardly anyone knows about.
I’m talking about the original
Daredevil from the Golden Age of comics, who first appeared in Silver Streak Comics before getting his
own title—and this is a review of the first issue! Read on!
Explain It!:
Lev Gleason was a
publisher most famous for producing the true crime comic book Crime Does Not Pay, which was singled
out as being particularly damaging by Dr. Frederic Wertham in his
comics-denouncing book Seduction of the
Innocent. Before Crime Does Not Pay,
however, he produced a number of superhero comics that sold briskly alongside
issues of Captain Marvel and All-Star Comics in its day. Our hero
Daredevil first debuted in Silver Streak #6, but quickly proved popular enough
to support his own title—in the anthology style, of course. What we have here
is essentially an issue of Silver Streak,
which had stories featuring characters from Lev Gleason’s stable, but in Daredevil Battles Hitler #1 they all
feature Daredevil as well. So let’s meet this colorful cast of characters,
shall we?
Our first story, titled Daredevil Battles Hitler, opens with
Daredevil himself infiltrating Adolf Hitler’s mountain lair by punching out a
few guards and stealing one of their uniforms. That’s Daredevil’s power, by the
way: the ability to punch people in the face and be a bad-ass. D. Devil sneaks
into Hitler’s war room, where he announces that a crystal ball has advised that
the Nazi army should attack Britain. Hey, he used the same political advisor Ronald
Reagan used! The Undersecretary for the Department of Fortune Telling says that
Hitler shouldn’t try an attack without aid from Mussolini—their partnership
would have been recently-cemented prior to the creation of this comic book—and
Hitler responds by smashing the crystal ball over his head. Just then a guard
in his underwear shows up and outs Daredevil, who then punches the shit out of
everyone and runs away.
Daredevil stumbles upon a
secret airport, where he steals a plane and flies over to London to meet
Winston Churchill. There, he meets with Silver Streak himself and his falcon
pal Whiz, who doesn’t seem to impress anyone despite being able to speak
English. Because there hasn’t been any action in about five panels, Silver
Streak hunts down some Fifth Columnist spy in a domino mask and punches him
out. Later, after consulting a new crystal ball and new fortune teller, Hitler
learns that the best day to blitz London will be the 15th of
whatever month they are in. Hitler has his Minister of Propaganda, Dr. Joseph
Goebbels, float a rumor to the press that the Nazis are advancing on the Suez Canal,
in hopes that it will draw the United Kingdom’s Naval forces away and leave
London prone to attack. I love the depiction of Goebbel’s office, with posters
reading “don’t fail to mention Hitler’s name at least once in each sentence,”
and “the bigger the lie, the more people will believe it.” I like to imagine
young Nazi copy boys running up to Goebbels with their fluff pieces on Nazi
superiority, and Joseph taking them under his wing like “You say that we have a
fleet of a thousand tanks at our disposal. Is that really the biggest lie you can put out there? Can’t we have ten thousand tanks in our military? Good
effort, kid, but punch it up a bit.”
After this, things go
fairly haywire in the story in a series of panels that allow the artist to draw
some really awesome planes and battleships. England, knowing about Goebbel’s
ruse, sends a small fleet to the Suez Canal, but keeps most of its forces in
Britain. The Nazis attempt their blitz and successfully bomb the shit out of
London, but Daredevil and Silver Streak, who is flying a plane and shooting
Nazi pilots in the face, send the Nazis on retreat before they can cruise up
the Thames and storm Big Ben or whatever. At the end, Churchill says London is
totaled but he thanks the spandex-clad Americans for their service because,
let’s face it, Americans are fucking crazy and you don’t want to piss them off
if you can help it.
The next story is a
little—oh what’s the phrase I’m looking for here—fucking racist as hell. It’s
titled The Claw Double-Crosses Hitler,
and it features one-time Silver Streak villain the Claw, who is like a gigantic
Chinese monster wizard that is scary as shit. We begin with Hitler, who looks
like a G.I. Joe action figure next to the Claw, appealing to his fanged majesty
to collude with the Nazis in their collusion with the Japanese to repel the
British at Singapore. In the name of evil, the Claw agrees and, as a show of
good faith, breaks a dam and drowns a Chinese village. Hearing of Hitler and
Claw’s new friendship on the radio, Daredevil takes off in a plane and shoots
down a Chinese pilot, then jumps from his
plane to the other in order to impersonate a member of the Claw’s army. I
mean, holy shit. I suppose this is why they don’t call him Safety Devil. Best
part is, Daredevil doesn’t even steal the Chinese officer’s uniform, he just
flies down to the Claw’s camp and tells everyone he’s got the official word
from on high, despite wearing the most conspicuous uniform since the
Technicolor Dream Coat.
After that, Daredevil
sends around the wrong orders and gets the Chinese to bomb the Japanese, then
the Japanese bomb the Chinese, then Daredevil saves Singapore from the raging
Claw, who then turns his ire on Adolf Hitler and beats him up a bit. Hitler
offers the Claw a bunch of money so the Claw swims him back to Germany, and
Daredevil watches them disappear over the horizon, fairly well chuckling about
it.
I worry that when you read
the title of the next story, Fighting
Hitler and His Jungle Hordes, you might think that this one is going to be
very culturally insensitive to Africans and black people worldwide. Well, I’ve
got good news for you: there are no non-white people featured in this story
(that takes place in Africa) at all. See? No controversy here! Daredevil teams up
with Tarzan analogue Lance Hale to stop Hitler from taking over British
colonies in the region and possibly instating a fair government. Daredevil
decides to try a carefully-formulated plan that involves him storming into
Hitler’s bamboo hut and punching the living crap out of everyone. After
punching about two dozen people, Daredevil is finally subdued and brought
before a firing squad the next morning, but Lance storms an elephant through
the camp which mauls everyone to soggy pulps. Hitler is hanging out in a tank so
Lance shoots an arrow that shears off his mustache somehow, then Daredevil
swings down on a vine, grabs Adolf by the collar and—you guessed it—punches him
in the face. Then Lance Hale and Daredevil practically bully Hitler for a
couple of pages before he gets fed up and flies away in a plane, just as his
munitions are destroyed by one of Hale’s arrows, in line with the adage, "sticks and stones may break my bones, but one arrow can explode a stockpile of munitions."
Next up, Daredevil joins
boy inventor Dickie Dean to take down the Nazi Minister of Propaganda, Dr.
Goebbels in the Case of the Secret Code
Machine. Boy inventor? Were these people starved for ideas back in the day?
For fuck’s sake, the competition has a guy outrunning locomotives and throwing
sedans around like they’re made of newspaper and this outfit has a “boy inventor.”
The character is sort of an amalgam of Billy Batson and Scribbly Jibbet, with
some members of Kirby and Simon’s Newsboy Legion thrown in for good measure.
What’s interesting here is that this is a full year before the U.S. will enter
the war, but clearly the people involved in writing these comics were well
aware of the main players in the Nazi Party as well as information about Nazi
military maneuvers and intentions. I couldn’t explain one damn thing about
foreign policy today but in the 1940s everyone was a pundit.
Dickie Dean has invented a
special decoder so great, they send him unattended to England so Winston
Churchill can see it. Is there a reason Dickie Dean had to be sent overseas by
himself? He is a boy inventor, after
all, and he’s essentially being sent to the front line. Almost immediately upon
arriving, Nazis beat the crap out of him and some chums, then Daredevil shows
up and beats them up, then they get captured and escape and Daredevil beats the
tar out of everyone. What’s notable in this story is the finale: Daredevil
kidnaps Joseph Goebbels and delivers him bound head-to-toe in rope to Adolf
Hitler with a snarky message.
Next, in Daredevil and Cloud Curtis Wreck Goering’s
Sky-Fighters, Daredevil and Lev Gleason’s aerialist character Cloud Curtis
do precisely what the title implies. They face off against Hermann
Goering—Curtis calls him “Fatso Hermann”—described as Hitler’s right-hand man
who heads the Nazi Air Force. This story has Daredevil pulling an incredibly
daring move that has to be seen to believed:
That’s right: he jumps
from one plane to the wing of another, pries open the cockpit’s canopy, and
punches the pilot right in the face. Again.
Clearly, the Allies should have employed this face-punching strategy since
there seems to be no defense against it. Later, Cloud Curtis and Goering get
into a dogfight, which causes Fatso Hermann to bail out of his plane and right
into a muddy pigpen. It all ends rather abruptly and strangely, depicting
Goering about to kill himself out of shame but then Daredevil and Curtis
observe that he’s changed his mind as they fly away in the next panel.
In the final story
directly involving Daredevil, titled Daredevil
and Pirate Prince vs. Von Roeder, Nazi Sea Raider—how many stories are in
this thing, anyway? And this was only a dime? You pay four bucks for a comic
book today, you’d be lucky the know the names of all the principal characters.
A caption tells us Von Roeder was a big deal during World War I and was
promoted to Admiral under Hitler’s regime. Strangely, I can’t find anything
about him through a Google search—there was a battleship called the Dietrich von Roeder—but he is a
character in the Marvel Universe, used sparingly as one of Namor’s foils. This
story is fairly cut-and-dry: Hitler commands Von Roeder to destroy all the
ships in the English Channel, and Daredevil and the Pirate Prince humiliate the
hell out of Admiral Von Roeder.
The final story in this
book doesn’t involve Daredevil, but it’s probably the most interesting one.
It’s titled Man of Hate, and it’s the mostly-accurate story of Adolf Hitler’s
rise to power as the dictator of Germany. It’s drawn differently (and, for the
most part, pretty well) from the rest of the book, and features some dynamic
full-page layouts, one of which I have included below:
There’s not a ton to say
about this story that hasn’t been covered already. It has two pages of text
depicting Adolf’s early life, but then goes into some fairly gory and shocking
four-color pages that depict Hitler’s violent rise to power. I thought it was
interesting to see mention of the Nazi concentration camps; the discovery of
these camps at the end of World War II is sometimes described as a big surprise
to the Allies, but while the writer of this story may not have known about the
genocidal activities happening within, he certainly knew of their existence and
that people were being brutally tortured there.
That about wraps it up for
Daredevil Battles Hitler #1. There
never was a Daredevil Battles Hitler #2,
though his comic book did continue on to issue #70 in 1950. This is most
interesting as a slice of history, and helps describe the face-punching
feelings many Americans had for Adolf Hitler prior to the United States’
involvement in World War II. The art is crude, the stories are ridiculous, but
you get a lot of bang for your buck in terms of action and high-flying stunts.
And punching, there’s plenty of punching. Sometimes Daredevil throws a
boomerang, but only to distract you for the inevitable face punch.
Bits and Pieces
It would not be fair to
judge this comic book against the standards of today—unfair to today’s comics,
that is! You can stuff your superhero angst and secret identity shenanigans in
a sock, because the action and fun in this book is more compelling than a
million multiversal crises. If your superhero isn’t jumping onto the wing of a
flying plane and punching the pilot in the face, then you need a better
superhero. The art is what we’d call “primitive,” but the plotting and panel
layouts are expertly done, and far easier to read than a lot of the pages I see
in modern comics, which look like a deck of cards spread randomly. The title of
this comic is Daredevil Battles Hitler, and that’s exactly what he does: on
land, air and sea, and he even brings his Silver Streak Comics pals along for
the party. This is great Golden Age fun, and if you’re inclined to read such material
you should check it out.
8/10
0/10
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